Tuesday, November 10, 2009

Manica Poem Series #1

it is difficult to talk to our mothers about their mothers

on the anniversaries of deaths

of screaming matches with daughters

fights with sisters

questions about stolen babies

dreams

she said that he said while she stood there holding his perfectly pressed suit

I like you too much to let you go

on my arm today and hate that you are there

not that I hate you there but the air tonight

just calls me and i can float

away from this life we made that i hate

not you

rather than weigh me down just wait in tonight

she said she meticulously pulled at the seams of her dress

made especially for this first outing after the second baby born barely after the first one

twice she had taken the seamstress to the three o'clock matinee

to sketch Elizabeth Taylor's dress

bubble skirted boatnecked wasted time

cinching her not post-baby enough bulging stomach

that now went wedding white on the inside

with dread

in the same way that he had spoken

with neat and small cuts

she tried to pass the night

disappearing the dress in vain

with scissors

Wednesday, February 11, 2009

Family Court Day One

Weird. This just feels weird. My reaction to my day is to me, wildly disproportionate to my day. And if I said that, I know a cast of loving friends would disagree and explain, in no uncertain terms, why feeling as spent as I feel after a whole day in Family Court is perfectly fine. They would mention how long I have been dealing with the trouble that my son's father makes--the last 7 months more recently intensely but in a way, the past 8-10 years. They might mention, if they know about it, that I have been sleep deprived in such a chronic way I am beginning to feel the consequences of that too. They would put everything in context (nobody wants to spend a day in Family Court) and they would be right. But I would still feel out of sorts and discombobulated.

I like my emotions mine, I admit. They can sing high notes or drop very low, whatever their thing is a particular moment, but I want them coming out of my repertoire. I want my emotions to be recognizable to me so I can play them--tell their story to myself. I like manageable or at the least, concretely malleable emotions. The fucked up has to lend itself to my blog entry: a sitcom? a poem? a journal entry from the single mother narratives? a rant. We love a rant! Whatever it is, my emotions have to be an It. This sort of anti-cognitive, resistant to interpretation and process, stubborn, inarticulate, lead-like, neck knotted, tongue-twisting, edge fraying, kind of emotion? This I don't like. This makes me uneasy. My therapist used to love them though. She'd stalk them with the awkward silence, that just so glare that says "any minute you'd like to have that good cry and lose your bearings, I'm happy to start taking my notes then." Ah, I hate that shit. Hate this shit. I like to hear myself talk but dammit, I don't like to be hurt such that I hear myself babble. But you can't be strong if you allow fear to stop you from surrendering, so here I am, babbling.

There is so much wrong with the family court experience. Start with the name: family court. Even if you don't smoke weed or drink cosmos, ponder that phrase, and it's trippy, right? Think about it, "family", "court"--it's wrong, right? And yet it's right: the recourse that the people sitting there sought, they needed it. I needed it. It's fundamentally about deploying enforcements around your boundaries, your intimate boundaries, the ones you need up when bonds of family don't keep people from behaving like you are helpless. Many people there had more complicated things going on and they needed the law to come into their homes and save them, literally, sometimes not just from the brink but actually from the return of the brink. Some folks there were familiar with the court officers. "Hey what's up, man, how are you?"; "You're gonna have a long day?"; "Plans for the holiday?". Even more mysterious to me, some people were running into acquaintances and even friends. I'll admit total complete ignorance of how that happens. I'll admit and I'll hold on to said ignorance.

The cases about orders of protection or violent altercations were scary to be around. While some of us sat and waited to be called into our hearings, others actually waited to be called to pick up the decisions from theirs--the orders. In those instances, when they would call the two names, two people would come from most separate ends of the huge waiting area, and you would see the body language of who is afraid, and who is terrorizing. Sometimes the person would be small--as in a woman--but sometimes worse, she'd be frail--as in a very old woman that sat next to me with her lawyer and was blind. Eight straight hours is a long time to be in close proximity with what seemed like every little piece of misery in this city, of the domestic time, beside one's own... You're stuck there, quiet, silent, able to hear and so are they, and here you are all, miserable with waiting, heavy with anxiety, running what you're going to say or what was said to the judge--gathered on this bright, unseasonably warm winter day, a family court family. The woman whose boyfriend was holding her real close, I thought she was scared too. I caught her face right away because she was so beautiful, she seemed out of place. I realized her boyfriend was her girlfriend, just extra butchy. And the culprit, who came up to get her court order, along with them, she was her mother. She looked the same, except was 25 years older. She had the same pretty face but chilly.

People don't give a shit about rules in family court waiting rooms. Which is weird. I played a game of counting the number of people who would walk into the area closed off by a door with a red STOP sign on it with the following underneath: Do Not Enter Authorized Personel Only. Sociologically it made no sense to me to be trespassing whilst in court, but this was a majority of people. Something about being sent around from room to room, in a "city government" type building with identical floors covered in more tonalities of beige one ever needed, makes one Just Need Answers Now. And so, one after another, each entertained us with their dance: walk up to the middle of the room; look about for any of us to suggest that we know something (we don't know and we don't care); squint at the room numbers that make no sense; squint back at the many pieces of paper in hand; catch sight of the door with sign; ponder 3-2-1 seconds and walk right in. Only to walk right back out escorted by the irate officer. If they were Spanish speaking, they would pretend to be confused and the very tolerant and warm Latino interpreter would play along (yeah because in Spanish a big read STOP signs means Entrar Por Favor). The Creole interpreter was a jackass to the Haitians, in stark contrast. This was not surprising to me given that I am a veteran of the Immigration offices. There it was Asian interpreters and staff that terrorize their people and the rest of us. I'm sure there's great armchair psychology payoff to analyzing this and I would go there, except, as I said, I'm zapped of my powers today.

Ok, one story, because the universe served it to me without any subtlety. He came in first and it threw me how much he looked like my son's father. In fact at first glance I thought my son's father had repented from his renegade text messages from yesterday "I can't be there tomorrow", and decided to actually respond to a summons. The lookalike walked in and was very much him as I remember him. Same immaculately white, brand new t-shirt under a half-hood-half-prep hoodie (you know those), same dark wash jeans, scruff free timbs. Same absence of jewelry except for good, not flashy, watch; same manicured, clean nails on a hand that ain't never work a day in its life. He was one of the ones that knew the court officers and made genuinely polite and sweet small talk with them. He had been here before--in fact the officer he spoke to the longest knew half the story, his side at least. She walked in looking like I used to look standing next to him when we used to stand next to each other: mismatched. Of course in my days I didn't notice, those things didn't matter, but today, sitting across from them, I saw it. She clearly works somewhere where attire is business casual. She wears grown but still young heels. Her make-up means to be put together but loses that battle to life every day. Her hair was down but there she goes again with the sloppy bun that ages and dishevels her--she doesn't even notices herself tie it. She is resolute but tired. He makes his move to sit next to her. It is hard for her to not move and talk and look and listen to him as if they are deeply in love either because they still are or because it's the habit moving talking looking and listening for her. The intimacy, even while they argue quietly (he *hates* a ghetto-ass scene) is palpable. Her head nods can be measured by how often and how vehement they are at first, resisting his arguments. Later they begin to disappear. They become blank stares, sighs, shrugs--the dance of the exhaustion in her eyes that precedes the capitulation. I overhear him say "communication" a lot. He comes up to the court officer and inquires about dropping the petition. She stands behind him. I think that's what he says because the officer says "Ma'am are you sure?" and she nods. She does not speak then or as they walk away and get into the elevator. He however, hasn't shut up for the entire time.

And One Rant. It makes no sense that you have to meet on the Parenting plain with a co-parent who refuses to parent. What is the purpose or terms or language of that meeting? It's like night and day deciding to show up together in the sky--that wouldn't work, each being quintessentially what the other is not. Sitting in that family court waiting room, surrounded by deadbeat fathers and the mothers chasing them, crystallized this incoherence that has been a central part of my life. What sense does it make for me to sit here and have to chase after someone who doesn't want to be found, in that true existential meaning of the phrase? Not even the sherrif summons someone into their life if they want no part of it. The whole idea of going to court to make a man be a father is obscene to me, on a deep level. This scenario where I go asking for my son's rights--the form being named a petition, it fucks with my upbringing, my sense of place in the world, my pride, and my common sense. Eight hours. Add that to my son's eight years. So eight hours and eight years. And do you know what his contribution was? To both the eight hours and the eight years? Not Showing Up. I am rambling too loudly now, so I'll stop short of saying things that will look too ugly when we're past this. Life is longer than eight hours and eight years and family court, in the end, is about family.

Monday, February 02, 2009

poem in progress 2

as one side of my life rises
valkyrie
wide and bowlegged
nose up in and to the rarefied
air
of freedom fear fucking and what's fair
the side that would have tomb-ed the beast and bird
mouths itself open
teething
and curses the ground

i have always been at my own mercy
swept up or torn out
by a cacophony of myself
that never stood quiet to wait
for the fully formed thought to state
who i was
i have always not known and just been
it has always not worked for me

peripheries are empoverishments
of the imagined nations
of weak kings and as i am slave
i
think
myself
spatially incongruent all the time
so that i may give
as much stretch as birthing the new day requires

now mother i bore
my deferred taste for war
while undercover agent protecting my cub
i secretly served to learn a taste
for the lion's share
of freedom fear fucking and what's fair
as the new century's babelonia writes itself blank
its dark-ink people stand at attention
uninterested as ever in attempts to forget
that before we gave paper we gave fire

like a skywalker
in light saber six inch heels
i run at both ends towards the same
in battle my death wish is strong
but my life slips something in her drink
life gets death drunk
fucks her leaves her to moan
they two in their morning sheets
soak in not knowing who the other is
knowing such verdicts are more breath than tongue
to their last kiss
the valkyrie's cue to knock

Tuesday, January 27, 2009

poem in progress

He says I write too much poetry about myself
I wonder if it’s about the poetry the
my
selfishly I predictably imagine it’s about me
I sigh
I leave the room vanquished I doom myself naked
I tell the same story break
Into smaller parts to swallow whole
Soul shoved down his throat
Wash it down
Eat me
Gloat

I soak
That what he says he says over me
Presuming a twisted tangle for a dance
A stance about subject submissions
A beginning middle and end
And a dancefloor way more than I had envisioned

And?
Well I am just not interested in that
The fact that you deem yourself such
That my hand is being forced
You said “too much”
Poetry
About
My
Self

I say this is not your spoken word poem
From someone known to some who may know him
Not some genesis song
Some this was the day let’s show’em
This is the howl of wind
Sifted through cuts in the armors of golden dreams
The only record of that particular battle
Ever found
Carving the place of the uttered and said on the ground
This, takes care of its own sound

True
Some details have fossilized at the cusps of my mind
Almost phantom-limbing it
Yes there have been knives but there have been wiser
Writing instruments branded here
Clear and ruthless dice
Breathing loudly on the page

I am teaching myself restraint
Letting things drip in heat and wait
Get sloppy
Deteriorate into singulars
The one laugh
The one tinge
The one
Last night to me was a whole epic story of us humans
For instance there wasn’t any sex
But it seemed like the light was wet

It will read "surrender was never a choice"
Its simplicity in narcissism will once again irritate
Self-martyrdom will be suggested as possible critique and
Agreed upon in uniquely inventive ways
Colorful language for a somber occasion people will say
Then they will remember it was to my face that they said
You are not
Pen but page
Not the right age
Size prize not coming backstage
They will remember a muzzle
We tried to reason with her they will say
Before it came to this
Warned her
Try journalism or history fucking rewrite a play
She wanted the tortured selfishness of verse
Excessive
The hearse will look tricked out from below ground
Watching them mostly cry
I’ll be taking notes
For the next poem

Just
Like that just like dead
But kicking I face myself I tinker
The entire world my squinting
Dazzled at the freedom ring that’s thinking
All my thoughts for the me that’s busy
Writing too much poetry

Friday, January 23, 2009

What Is The Topic, Or Chat Poem#1

where you been at?
why you don't bother to grin back?
in the wind that bites, i'm bitin cigs
car seat singed my lungs lend their life to a fight with reckless thoughts

i have been the wreck and less the thought
i have been the wind
i have been the lost
i don't remember the war that i know was fought but mostly
i have been

surrounded so I have no choice but surround you

the dance is of the surface
the word is of the depth
i move in close into the border
it blends the sweat
the bitterness

find me where winters rest
and blend with memories of my kin
the winds carry them for me

mine travel in the brain
some in the vein
mostly in the way you say I talk too fast
I carry them first
and myself last

sometimes they carry me
like a weapon
like a revenge

and sometimes I catch you
quiet and still
like the end of a song

Thursday, January 01, 2009

The New Year

I like walking west on the wide streets towards my 1 train. Maybe 14th or 23rd, if it is late enough to begin to be deserted but not yet be terrifyingly empty. I like to feel myself at all sides isolated, those are usually windy wide streets. On a night like tonight, it's a solid cold squaring off against my back, each side of me, my face. It's the physical equivalent of successfully overcoming writer's block, the blank page here being this sustained silence deep inside. Unable to do anything with it, I walk in it, and that walk--the cadence of my heels on the empty pavement, the shifting shoulders caving into my frame to keep me warm, the hair blowing however it wants, the way I think my face looks to everyone it passes (how does it look?)--that walk becomes the story telling itself to me.
January 1, 2009

Tuesday, November 25, 2008

(draft; Impressions)

The most inconvenient thing about the death of love is that it happens inside and well, it’s no good having dead things inside. As long as it took to stitch itself to every minute figment of your entrails, that’s how long it stays in there, dead. Highly inconvenient. For one, it takes up vital space—can’t nothing move in while dead love is there and frankly, nothing would want to. I’m not sure the issue is that dead love stinks—though maybe it does. It is likely about the essence of things: the living won’t abide the dead so near. I can’t remember when love died and sometimes, for the sheer magnitude of its life, I can’t help but wish I had a better sense of the moment it did.

In its time, it was soaring. All breath and words caught in trampling time, all resonance and power—the push, the answer, the truth. All that delirium, that acute feeling of transcendence, that “closest to God” nonsense people talk about. How the surrender first came... And most of all, that feeling. He seems to reach inside with his hand, slowly goes in and finds a note, and flicks it—just one note, your precise note, and it reverbs. Today though I stand in the shadow of the valley, I still believe that feeling is the only fucking point. It is as a believer that I wish I was more present in the moment it died. To sit attentive, and make the catalog of me in that death and knowing myself changing. I wish I had that chapter from which to read the others. Maybe I’m wishing for scale? I wish I had listened to the sound of the ringing note fading. Instead, it was completed silence that caught my attention.

Imagine the longest nightmare of your life. Against your will, you are made to approach a corner that you know you should not turn. On the other side, all the love will be gone and the only sign of life will be that collapsing feeling. Then, just as you're turning the corner, you wake up. Love dies on the tail end of what you thought was impossible, after Impossible has beat your face bloody to convince you otherwise. In that bloody bruised aftershock you can’t see anything. I suppose that’s the second most inconvenient thing about the death of love.